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Ireland: Ireland Art / Culture Profile 2012

2012/03/14

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Ireland Art / Culture Profile 2012

The first inhabitants of Ireland were Mesolithic hunter-gatherers whose sites are dated as far as 8980 B.P. it is the extensive Neolithic settlement that has left a big number of impressive megalithic constructions. The exact origin point of "Celtic culture" in Ireland and its relation to preexisting cultures and/or populations is much disputed. By the first few centuries B.C. , however, a clearly Celtic culture was established all over the island, with clear connections to continental Celts. Iron Age Celtic society established a lasting economic, political, social, and cultural framework for Irish society. Unhampered by the Romanization that transformed so much of continental Europe, Ireland's cattle-based chieftaincies remained the basic social unit through the early Christian period, giving Irish Christianity a Celtic construction that would give rise to Roman consternation at various historical junctures. Celtic Ireland was notably rural, and it was the Vikings who established the major port cities that would continue to play an important role in Irish history (e.g., Dublin, Cork, Waterford, Wexford). The English Presence began with the twelfth-century Anglo-Norman expedition under the auspices of Henry II, in aid of one side in an internecine struggle in the south. The invaders settled, particularly in the southeast, bringing with them a manorial type of settlement and economy, as well as a new language and Culture. The succeeding centuries brought much cultural borrowing between native Irish and Anglo-Norman cultures, particularly in areas distant from the capital. The Cromwellian and Williamite wars of the seventeenth century established Ireland as a fully colonial society, with political rule and most landownership in the hands of English-speaking Protestants, and with a native population of mainly Gaelic-speaking Catholics, the vast majority of whom were poor tenant farmers, seen and described by their overlords in increasingly "primitive" terms. The wars also brought the "plantation" of Northern Ireland, the importation of thousands of mainly Presbyterian Scots who took ownership of small farms and settled in areas from which Catholic Irish had been driven. There was also a very considerable influx of Protestant English into the south. The majority is Catholic tenants, the central issue through the eighteenth century was local land tenure, and a variety of locally based secret societies—such as the "White Boys"—were active in retaliatory guerrilla raids against landlords, agents, or collaborators. After the failure of the United Irishmen's rebellion in 1798, land tenure as well as cultural and religious identity came more and more to be linked with nationalism.

Ireland is a deeply Catholic naition and culture. Every week mass attendance continues at nearly 90 percent of the population, and the influence of the clergy on all social as well as narrowly religious questions is enormous. Ireland, alone with Malta in Europe, has no legal divorce, and abortion—never legal—has recently been made unconstitutional. The central tenets of the Catholic church are mainly accepted, but various local heterodox usages continue in some areas. Notably, holy well cults are still an important aspect of local practice. There are more than three thousand holy wells listed for Ireland, most of them associated with a Roman Catholic saint and with beliefs about curing, indulgences, honor, prayer, etc. Major pilgrimage points within Ireland (Knock, Croagh Patrick, Station Island, Lady's Island) attract tens of thousands annually, and the Irish are disproportionately represented at Lourdes.

Arts. Language remains perhaps the most important form of expressive culture: from the oral narrative that still characterizes much local Irish life to one of the most vibrant literary traditions in Europe. Although less well-known, there is a lively visual art scene in the urban centers. Music, always important in the folk tradition, has made a great resurgence in recent decades with much creative interaction between folk and rock forms.