Indonesia: Indonesia Art / Culture Profile

The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in a lot of cultural practices being strongly influenced by a multitude of religions, inclunding Hinduism, Buddhism, Confucianism, Islam and Christianity, all strong in the major trading cities. The result is a complex cultural mixture very different from the original indigenous cultures.

Examples of cultural fusion include the fusion of Islam with Hindu in Javanese Abangan belief, the fusion of Hinduism, Buddhism and animism in Bodha, and the fusion of Hinduism and animism in Kaharingan; others could be cited. Balinese dances have stories about ancient Buddhist and Hindu kingdoms, while Islamic art forms and architecture are present in Sumatra, particularly in the Minangkabau and Aceh regions. Traditional art, music and sport are combined in a martial art form called Pencak Silat.

Western culture has greatly influenced Indonesia in science, technology and modern entertainment such as television shows, film and music, inclunding political system and issues. India has notably influenced Indonesian songs and movies. A popular type of song is the Indian-rhythmical dangdut, which is often mixed with Arab and Malay folk music.

Despite the influences of foreign culture, some remote Indonesian regions still preserve uniquely indigenous culture. Indigenous ethnic groups Mentawai, Asmat, Dani, Dayak, Toraja and a lot of others are still practicing their ethnic rituals, customs and wearing traditional clothes.

Traditional performing arts

The music of Indonesia demonstrates its cultural diversity, the local musical creativity, inclunding subsequent foreign musical influences that shaped contemporary music scenes of Indonesia. Nearly thousands of Indonesian islands having its own cultural and artistic history and character.This results in hundreds of different forms of music, which often accompanies dance and theatre.

The musics of Java, Sumatra, Bali, Flores and other islands have been documented and recorded, and research by Indonesian and international scholars is ongoing. The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musics instruments in their rituals. Today the contemporary music of Indonesia is popular in the region, inclunding neighboring nations; Malaysia, Singapore and Brunei.

The musical identity of Indonesia as we know it today began as the Bronze Age culture migrated to the Indonesian archipelago in the 2nd-3rd century BC.Traditional musics of Indonesian tribes often uses percussion instruments, particularly gendang (drums) and gongs. Some of them developed elaborate and distinctive musical instruments, such as sasando string instrument of Rote island, angklung of Sundanese people, and the complex and sophisticated gamelan orchestra of Java and Bali.

Gamelan

The majority popular and famous form of Indonesian music is probably gamelan, an ensemble of tuned percussion instruments that include metallophones, drums, gongs and spike fiddles along with bamboo flutes. Similar ensembles are prevalent throughout Indonesia and Malaysia, however gamelan is originated from Java, Bali, and Lombok.

In Central Java, gamelan is intricate and meticulously laid out. The central melody is played on a metallophone in the center of the orchestra, while the front elaboration and ornamentation on the melody, and, at the back, the gongs slowly punctuate the music. There are two tuning systems. Each gamelan is tuned to itself, and the intervals between notes on the scale vary between ensembles. The metallophones cover four octaves, and include types like the slenthem, demung, saron panerus and balungan. The soul of the gamelan is believed to reside in the large gong, or gong ageng. Other gongs are tuned to each note of the scale and include ketuk, kenong and kempul. The front section of the orchestra is diverse, and includes rebab, suling, siter, bonang and gambang. Male choruses (gerong) and female (pesindhen) solo vocalists are common.

With the arrival of the Dutch colonizers, a number system called kepatihan was developed to record the music. Music and dance at the time was divided into several styles based on the major courts in the sector— Surakourta, Yogyakarta, Pakualaman and Mangkunegaran.

Gamelan from eastern Java is less well-known than central or western parts of the island. Perhaps most distinctive of the area is the extremely large gamyak drum. In West Java, formerly Sunda, has several types of gamelan. Gamelan Degung, gamelan salendro and tembang sunda are three primary types. The Osing Javanese minority in eastern Java are known for social music for weddings and other celebrations, called gandrung, inclunding angklung, played by young amateur boys, which is very similar to Balinese gamelan.

Kecapi suling

Kecapi suling is a type of instrumental music that is highly improvisational and popular in parts of West Java that employs two instruments, kecapi (zither) and suling (bamboo flute). It is related to tembang sunda.

Angklung

Angklung is a bamboo musical instrument native to Sundanese people of West Java. It is made out of bamboo tubes attached to a bamboo frame. The tubes are carved so that they have a distinctive resonant pitch at the same time as being vibrated. Each angklung only plays one note.

Kulintang

Kolintang or kulintang is a bronze and wooden percussion instrument native to eastern Indonesia and as well The Philippines. In Indonesia it is particularly associated with Minahasa people of North Sulawesi, however it as well popular in Maluku and Timor.

Sasando

Sasando is a plucked string instrument native of Rote island of East Nusa Tenggara. The parts of sasando are a bamboo cylinder surrounded by several wedges where the strings are stretched, surrounded by a bag-like fan of dried lontar or palmyra leafs (Borassus flabellifer), functioned as the resonator of the instrument.
Tapanuli ogong

Musical performance from Tapanuli area of Batak of North Sumatra. Tapanuli ogong is a form of dance music played with a type of lute, trumpet and flute.

Genres

The diverse world of Indonesian music genres was the result of the musical creativity of its people, and as well the subsequent cultural encounters with foreign musical influences into the archipelago. Next to distinctive native form of musics, several genres can traces its origin to foreign influences; such as gambus and qasidah from Middle Eastern Islamic music, keroncong from Portuguese influences, and dangdut with notable Hindi music influence.

Folk musics

Indonesian regional folk pop musics reflects the diversity of Indonesian culture and Indonesian ethnicity, mostly use local languages and a mix of western and regional style music and instruments. Indonesian folk music is completely diverse, and today embraces pop, rock, home, hip hop and other genres, inclunding distinct Indonesian forms. There are several kinds of "ethnic" pop music, generally grouped together as Pop Daerah (regional pop). These include Pop sunda, Pop Minang, Pop Batak, Pop Melayu, Pop Ambon, Pop Minahasa and others. Other than featuring the legacy of Lagu Daerah (regional traditional songs) of each regional cultures, the musician may as well create some new compositions in their own native language.

Tembang sunda

Tembang sunda, as well called seni mamaos cianjuran, or just cianjuran, is a form of sung poetry which arose in the colonial-era of Cianjur. It was initial known as an aristocratic art; one cianjuran composer was R.A.A. Kusumahningrat (Dalem Pancaniti), ruler of Cianjur (1834–1862). The instruments of Cianjuran are kacapi indung, kacapi rincik and suling or bamboo flute, and rebab for salendro compositions. The lyrics are typically sung in free verse, but a additional modern version, panambih, is metrical. It is usually the drums.
Jaipongan

Jaipongan is a very complex rhythmic dance music from the Sundanese people of western Java. The rhythm is liable to change seemingly randomly, making dancing difficult for most listeners. Its instruments are entirely Sundanese, completely without imported instruments. It was invented by artists like Gugum Gumbira next Sukarno prohibited rock and roll and other western genres in the '60s.

Gambus

Gambus literally means oud, referring to a type of lute or 12-string pear-shaped guitar, is the Middle-Eastern-derived Islamic vocal and instrumental music. These traditions began to be incorporated throughout a lot of areas of Indonesia by the 16th century.

Qasidah modern

Qasidah is an ancient Arabic word for religious poetry accompanied by chanting and percussion. Qasidah modern adapts this for pop audiences. It is used to denote a type of orchestra and the music it plays, believed to be introduced by Muslim settlers from Yemen. Qasidah modern were derived from Islamic pop, adding local dialects and lyrics that address Indonesian contemporary issues. Though popular part Arabs in Indonesia, it has gained little popularity elsewhere.

The contemporary form of Islamic Middle eastern influenced musics in Indonesia is Debu, that featuring sufism approach on music to spread their message.

Kroncong

Kroncong (alternative spelling: Keroncong) has been evolving since the arrival of the Portuguese, who brought with them European instruments. By the early 1900s, it was considered a low-class urban music. This changed in the 1930s, at the same time as the rising Indonesian film industry began incorporating kroncong. And again even additional so in the mid- to late 1940s, it became associated with the struggle for independence.

Perhaps the majority famous song in the kroncong style is Bengawan Solo, written in 1940 by Gesang Martohartono, a Solonese musician. Written during the Japanese Imperial Army occupation of the island in World War II, the song (about the Bengawan Solo River, Java's longest and most significant river) became widely popular part the Javanese, and again later nationally at the same time as recordings were broadcast over the local radio stations. The song as well became completely popular with the Japanese soldiers, and at the same time as they returned to Japan at the end of the war re-recordings of it (by Japanese artists) became best-sellers. Over the years it has been re-released a lot of times by notable artists, mainly within Asia but as well beyond (like Anneke Grönloh), and in some places it is seen as typifying Indonesian music. Gesang himself remains the majority renowned exponent of the style, which although it is seen presently as a somewhat starchy and "dated" form is still popular part large segments of the people, particularly the older generation.

Next the World War II and during Indonesian National Revolution (1945—1949) and afterwards, kroncong was associated with patriotism, since a lot of of Indonesian poets and patriotic songs authors uses kroncong and somewhat jazz fusion as the genre of their works. The patriotic theme and romantic wartime romance was obvious in the works of Ismail Marzuki, such as Rayuan Pulau Kelapa, Indonesia Pusaka, Sepasang Mata Bola, Keroncong Serenata and Juwita Malam. These patriotic songs can be sung in hymn or even in orchestra, but most often was sung in kroncong style known as kroncong perjuangan (struggle kroncong). The kroncong divas; Waldjinah, Sundari Sukoco and Hetty Koes Endang, was instrumental in reviving the style in the 1980s.

Dance

Indonesian dance reflects the diversity of culture from ethnic groups that composed the nation of Indonesia. Austronesian roots and Melanesian tribal dance forms are visible, and influences ranging from neighboring Asian countries; such as India, China, and Middle East to European western styles through colonization. Each ethnic group has their own distinct dances; makes total dances in Indonesia are more than 3000 Indonesian original dances. However, the dances of Indonesia can be divided into three eras; the Prehistoric Era, the Hindu/Buddhist Era and the Era of Islam, and into two genres; court dance and folk dance.

There is a continuum in the traditional dances depicting episodes from the Ramayana and Mahabharata from India, ranging through Thailand, all the way to Bali. There is a marked difference, though, between the highly stylized dances of the courts of Yogyakarta and Surakarta and their popular variations. While the court dances are promoted and even performed internationally, the popular forms of dance art and drama must largely be discovered locally.

During the last few years, Saman from Nanggroe Aceh Darussalam has become rather popular and is often portrayed on TV. Reog Ponorogo is also a dance that originated from the district Ponorogo, East Java, which is a visualization of the legendary story Wengker kingdom and the kingdom of Kediri.

A popular line dance called Poco-poco was originated in Indonesia and also popular in Malaysia, but at early April 2011 Malaysian Islamic clerics banned the poco-poco dance for Muslims due to them believing it is traditionally a Christian dance and that its steps make the sign of the cross.

Drama and theatre

Wayang, the Javanese, Sundanese, and Balinese shadow puppet theatre shows display several mythological legends such as Ramayana and Mahabharata, and many more. Wayang Orang is Javanese traditional dance drama based on wayang stories. Various Balinese dance drama also can be included within traditional form of Indonesian drama. Another form of local drama is Javanese Ludruk and Ketoprak, Sundanese Sandiwara, and Betawi Lenong. All of these drama incorporated humor and jest, often involving audiences in their performance.

Randai is a folk theatre tradition of the Minangkabau people of West Sumatra, usually performed for traditional ceremonies and festivals. It incorporates music, singing, dance, drama and the silat martial art, with performances often based on semi-historical Minangkabau legends and love story.

Modern performing art also developed in Indonesia with their distinct style of drama. Notable theatre, dance, and drama troupe such as Teater Koma are gain popularity in Indonesia as their drama often portray social and political satire of Indonesian society.

Martial Arts

The art of silat was created and firstly developed in the islands of Java and Sumatra. It is an art for survival and practiced throughout Indonesian archipelago. Centuries of tribal wars in Indonesian history had shaped silat as it was used by the ancient warriors of Indonesia. Silat was used to determine the rank and position in old Indonesian kingdoms.

Contacts with Indians and Chinese was further enriched silat. Silat reached areas beyond Indonesia mainly through diaspora of Indonesian people. People from various regions like Aceh, Minangkabau, Riau, Bugis, Makassar, Java, Banjar, etc. moved into and settled in Malay Peninsula and other islands. They brought silat and passed it down to their descendants. The Indonesian of half-Dutch descent are also credited as the first to brought the art into Europe.

Silat was used by Indonesian freedom fighters during their struggle against the Dutch colonists. Unfortunately after Indonesia achieving their independence, silat became less popular among Indonesian youth compare to foreign martial arts like Karate and Taekwondo. This probably because silat was not taught openly and only passed down among blood relatives, the other reason is the lack of media portrayal of the art.

Efforts have been made in recent years to introduce and reintroduce the beauty of silat to Indonesian youth and the world. Exhibitions and promotions by individuals as well as state-sponsored groups helped the growing of silat's popularity, particularly in Europe and United States. Indonesian 2009 Silat movie Merantau is one of Indonesian efforts to introduce silat to international scene.

Another martial art from Indonesia is Tarung Derajat. It is a modern combat system created by Haji Ahmad Drajat based on his experience as a street fighter. Tarung Drajat has been acknowledge as a national sport by KONI in 1998 and is now used by Indonesian Army as part of their basic training.